I was rewarded my Ph.D. in 2012 at the University of Edinburgh with a thesis on nostalgia as style and aesthetics in modernist fiction. Before that I worked as a film and literature teacher in Stockholm for ten years as well a film director and producer. I am senior lecturer at the Department of Languages at Linnaeus University since 2012 focusing on English literature and literature and film didactics. Besides my work at Linnaeus I also own a film production and publishing company, Trolltrumma Film and Publishing. In addition to that I work as a translator of English fiction into Swedish and recently translated F. Scott Fitzgerald's short story collection All the Sad Young Men (Alla sorgsna unga män) into Swedish.
I teach English literature at all levels in the Department of Languages (Introduction to Literatures in English, English Literary History 1800 to the present, Theory and Method, and Multimodal Modernism). I am also responsible for all literary and film didactics for the English teacher trainees in Växjö. Within the Language, Culture and Communication Program (SKK) I teach project management and I also work with the translation program. In addition to this I supervise and examine BA and MA theses. This autumn term will mark the start of my new master's course, F. Scott Fitzgerald and the Jazz Age.
My research circles around Anglo-American and European Modernism with special focus on the authorships of F. Scott Fitzgerald, Malcolm Lowry, Virginia Woolf and William Faulkner. I investigate these authors, and modernism in general, relationship to nostalgia as idea and aesthetics. I see nostalgia as a unique driving force both in society and in the individual, as well as a complex set of emotions with great bearing on our daily lives.
Another area of interest is what I call sensorial aesthetics, within the study of multimodality: how different media communicate sensorial and emotional experiences outside their ordinary reach. For example, how do we experience smell through literature.
I also work with film and literary didactic questions such as the role of empathy in film and literature, and the use of horror film in the classroom.
Currently I am working on two anthologies: one with new critical essays about Malcolm Lowry in collaboration with Marie¬ Agnès Gay & Catherine Delesalle-Nancey, Jean Monnet University, Lyon; another called Female Voices from the First World War, which is a collection of texts by and about women during the First World War in Swedish translation.
Within the Linnaeus University Research Center for Intermedial and Multimodal Studies (IMS) I work on a project about transmediations of the anthropocene into qualified aesthetic media and on a project called "Media Phobia", an investigation of media representations. Currently I am writing about the relationship between nostalgia, text and illustration in the books of Astrid Lindgren.
Besides my membership in IMS, I am an active member of BAMS (British Association for Modernist Studies), EAM (European Network for Avant-Garde and Modernism Studies) and the F. Scott Fitzgerald Society.
Article in journal (Refereed)
- Salmose, N. (2016). Translating All the Sad Young Men into Swedish : Close Reading par Excellence. The F. Scott Fitzgerald Review. 14. 136-158.
- Salmose, N. (2014). Reading Nostalgia : Textual Memory in The Great Gatsby. F. Scott Fitzgerald Review. 12. 67-87.
Conference paper (Refereed)
- Salmose, N. (2017). The Apocalyptic Sublime : Narrating Environmental Disaster. Presented at 2017 International Conference on Narrative, Lexington, Kentucky, March 23-26.
- Salmose, N. (2017). War at Distance : Women, Neutrality and Aesthetics in Swedish World War One Writing. Presented at The Fictional First World War : Imagination and Memory Since 1914. An International Conference at the Centre for the Novel : University of Aberdeen, 6-9 April 2017.
- Salmose, N. (2017). The Rustle of Swede Girls : A Speculation of the Representation of Scandinavians in Fitzgerald’s Fiction. 14th International F. Scott Fitzgerald Society Conference : Saint Paul, Minnesota 2017.
- Salmose, N. (2017). Nostalgic Aesthetics: The Fictive Nostalgic Experience. Presented at the 2nd International Interdisciplinary Conference "Memory, Melancholy and Nostalgia". Gdansk, Poland, 7-8 December 2017.
- Salmose, N. (2016). Can a Proletarian Writer Be a Modernist? : A Study of Swedish Proletarian Writers in a Modernist Context. AMSN3: Modernist Work. University of New South Wales, Sydney. 29-31 March, 2016.
- Salmose, N. (2016). Nature vs Culture : A Transmediation from Rachel Carson’s Silent Spring (1962) into The Nature-on-a-Rampage Film Genre of the 1970s. Transmediations! Communcation Across Media Borders : Abstracts. Linnaeus University, Växjö, Sweden, October 13-15, 2016. 74-75.
- Salmose, N. (2016). The Mediterranean Exotic as Nostalgia : Lost Worlds and Found Worlds in D.H. Lawrence’s The Lost Girl. Mediterranean Modernism. Origins and Otherness in 20th Century «Modernisms».
- Salmose, N. (2015). Little Bright Eyes : A Contextual Case for ‘The Rich Boy’. 13th International F. Scott Fitzgerald Conference, Dublin and Waterford, 4 - 11 juli.
- Salmose, N. (2015). "Our flame, the will-o'-the-wisp that dances in a few eyes, is soon to be blown out and all will fade" : Nostalgia as Death Mood. .
- Salmose, N. (2015). Multimodal Modernism. Writing Literary History: Europe 1900 - 1950. 30-31.
- Salmose, N. (2014). The Phenomenological Experience of Childhood. The End of Place as We Know It, 17 – 19 September 2014 : Book of Abstracts. 16-16.
- Salmose, N. (2014). Modernist Fiction and Sensorial Aesthetics. .
- Salmose, N. (2014). Nostalgic Utopia. Utopia : Fourth Bi-annual Conference of the European Netweork for Avant-Garde and Modernism Studies. 172.
- Salmose, N. (2013). Nostalgia and Modernism. Time and Temporality in European Modernism and the Avant-Gardes (1900-1950).
- Salmose, N. (2013). The Sounds and Smells of the South : The Auditive and Olfactory in Fitzgerald’s Tarleton trilogy. .
- Salmose, N. (2011). The Use of Textual Memory in F. Scott Fitzgerald’s The Great Gatsby. .
- Salmose, N. (2009). Nostalgia within the texts of F. Scott Fitzgerald. .
Chapter in book (Refereed)
- Salmose, N. (2018). Harry Hole : Jo Nesbø (1960–). 100 Greatest Literary Detectives. London, Rowman & Littlefield Publishers. 88-90.
- Salmose, N. (2018). Martin Beck : Maj Sjöwall (1935–), Per Wahlöö (1926–1975). 100 Greatest Literary Detectives. London, Rowman & Littlefield Publishers. 14-16.
- Salmose, N. (2018). Art About Nostalgia or Nostalgic Art?. Once Upon a Time: Nostalgic Narratives in Transition. Stockholm, Trolltrumma Academia. 127-139.
- Salmose, N. (2018). Introduction. Once Upon a Time: Nostalgic Narratives in Transition. Stockholm, Trolltrumma Academia. 6-12.
- Salmose, N. (2015). We Spiders : Spider as the Monster of Modernity in the Big Gug and Nature-on-a-Rampage Film Genres. Animal Horror Cinema : Genre, History and Criticism. Palgrave Macmillan. 146-167.
Collection (editor) (Refereed)
Conference paper (Other academic)
- Salmose, N. (2017). A Method of Analyzing Emotional Experiences in Fiction. Narrative and Experience – concept workshop : University of Tampere, Mon 18 Sep 2017.
- Salmose, N. (2017). Kaos i klassrummet : om filmval, känslor och att göra film till ett aktivt och inte passivt medium. [ Presented at ] Upp till kamp! Inspirationsdag Skolbio i Jönköping.
- Salmose, N. (2015). Roundtable : Translating Fitzgerald. .
- Salmose, N. (2015). Stalk and Slash in the Class. .
Chapter in book (Other academic)
Doctoral thesis, monograph (Other academic)
- Salmose, N. (2012). Towards a Poetics of Nostalgia : The Nostalgic Experience in Modern Fiction. Doctoral Thesis. Edinburgh, University of Edinburgh. 383.
Article, book review (Other academic)
- Salmose, N. (2016). McKenzie Wark : Molecular Red : Theory for the Anthropocene. Ekfrase : Nordisk Tidsskrift for Visuell Kultur. 7. 74-77.