Dagmar Brunow

Jag är lektor i filmvetenskap vid Linnéuniversitetet och har undervisat här sedan flera år tillbaka. Min forskning kretsar framför allt kring migration och minne, feministisk experimentalfilm, konstnärliga och politiska videokollektiv och deras arkivpolitik, kring queer cinema och transnationellt filmskapande.

Jag disputerade vid Hamburgs universitet med en avhandling om mediala minnesstudier. I den studerar jag hur medier konstruerar och präglar vårt kulturella minne. Jag har undersökt hur minnen konstrueras - respektive omförhandlas - inom dokumentärfilm, essäfilm, video och digitala medier. En viktig frågeställning har varit hur hegemoniska minnen kan utmanas utan att de olika filmskaparna hamnar i essentialistiska identitetspositioner.I avhandlingen teoretiserar jag kring tre koncept inom minnesstudier (memory studies): remediering, arkiv och transkulturalitet.

Undervisning

Jag har undervisat i filmvetenskap sedan 1999 vid olika universitet och högskolor (Växjö, Lund, Halmstad), bl a Filmens historia, World Cinema, Europeisk film, Dokumentärfilm; Film, genus och etnicitet samt handlett uppsatser. Jag har även regelbundet undervisat i genusvetenskap vid Södertörns Högskola.

Distanskursen "Att forska med film som redskap" har jag utvecklat jag tillsammans med Anna Sofia Rossholm. Den ges i samverkan med Akademin Valand i Göteborg from vt18. I den utforskas videoessän som metod för akademisk publicering, som teoretisk instrument och som verktyg för konstnärlig forskning.

Forskning

Aktuella forskningsprojekt är:

1) VR-projekt "Den rörliga bildens kulturarv. Mångfald och minne i digitala filmarkiv" (2016-2018)

Inom ramen för mitt VR-projekt undersöker jag hur Svenska Filminstitutet (SFI) och British Film Institute (BFI) bidrar till att skapa ett kulturarv som tar vara på samhällets mångfald.

2) Elin Wägner och filmen

https://lnu.se/mot-linneuniversitetet/aktuellt/nyheter/dagmars-forskning-tecknar-bilden-av-elin-wagner-som-filmskapare/

http://www.nordicwomeninfilm.com/elin-wagner-och-filmen/

3) Dessutom ingår jag i LNUs forskarnätverk kring Face of Aids-arkivet i Stockholm. Till arkivets hemsida har jag kurerat en virtuell utställning om global Aids-aktivism utifrån Staffan Hildebrands filmer från Face of Aids-arkivet.

https://faceofaids.ki.se/activists-around-world

https://lnu.se/mot-linneuniversitetet/aktuellt/nyheter/2018/forskare-inom-filmvetenskap-visar-ny-sida-av-aidsaktivismen/

Uppdrag

Medlem av Linnaeus University Centre for Intermedial and Multimodal Studies (IMS).

International fellow vid Memory-Studies-Platform vid Goethe Universität i Frankfurt/Main.

Medlem av redaktionsrådet för Journal of Scandinavian Cinema (intellect).

Medlem av:

NECS (European Network for Cinema and Media Studies)

MSA (Memory Studies Association)

GfM (Gesellschaft für Medienwissenschaft)

Ledare för arbetsgruppen Media and Cultural Memory inom NECS (European Network for Cinema and Media Studies)

Ledare för arbetsgruppen "MSA Nordic" inom Memory Studies Association.

Ledamot (suppleant) av Rådet för filmarvsfrågor vid Svenska Filminstitutet på uppdrag av Kulturdepartementet.

Styrelseledamot i Elin Wägner-sällskapet.

Mina forskargrupper och projekt

Publikationer

Artikel i tidskrift (Refereegranskat)

Brunow, D., Gustafsson, T. (2019). The Face of AIDS Film Archive and cultural memories of the future : an interview with Staffan Hildebrand. Journal of Scandinavian Cinema. 9. 131-135.
Brunow, D. (2019). Manchester’s post-punk heritage : mobilising and contesting transcultural memory in the context of urban regeneration. Culture Unbound. Journal of Current Cultural Research. 11. 9-29.
Brunow, D. (2018). Mobile cinema as an archive in motion : A Wall is a Screen and urban memories. NECSUS : European Journal of Media Studies.
Brunow, D., Stigsdotter, I. (2017). Scandinavian cinema  culture and archival  practices : Collecting, curating and accessing moving image histories. Journal of Scandinavian Cinema. 7. 75-78.
Brunow, D. (2017). Curating Access to Audiovisual Heritage : Cultural Memory and Diversity in European Film Archives. Image [&] Narrative. 18. 97-110.
Brunow, D. (2017). "And the Winner Is..." : The Hamburg EUFA Jury Meetings. Alphaville : Journal of Film and Screen Media. 214-218.
Brunow, D. (2012). Before YouTube and Indymedia : Cultural memory and the archive of video collectives in Germany in the 1970s and 1980s. Studies in European Cinema. 8. 171-181.
Brunow, D. (2010). The language of the complex image : Roy Anderssons's political aesthetics. Journal of Scandinavian Cinema. 1. 83-86.

Konferensbidrag (Refereegranskat)

Brunow, D. (2019). LGBT+ heritage, digital memories and film archives. Presented at OUTing the Past 2019 Festival Conference. LGBT+ Solidarity: Past and Present : 29 – 31 March 2019 at Ulster University, Belfast.
Brunow, D. (2019). From the safe space into cyberspace? : The ambivalence of lesbian visibility in film archives. The Lesbian Lives Conference 2019 : The Politics of (In)Visibility. Centre for Transforming Sexuality and Gender & The School of Media, University of Brighton, 15th - 16th March 2019. 6-6.
Brunow, D. (2018). LGBT-Activism in Audiovisual Archives : Curating Access and Reclaiming Visibility. Outing the Past 2018 : 16th - 18th March, Liverpool, John Moores University.
Brunow, D. (2018). Between Remembering and Forgetting : The Archive and Cultural Memory. Archiving the Unarchivable – Das Unarchivierbare archivieren : 22.–24.11.2018.
Brunow, D. (2018). Towards an inclusive audiovisual heritage? : The ambivalence of recognizing minorities in Swedish film archives.. 5^th Lübeck Film Studies Colloquium : In Dark Waters : Seas, Spies and Social Criticism.
Brunow, D. (2018). Decolonizing audiovisual heritage in Europe : Migrant and diasporic lives in national film archives. Global Challenges 2018 : Borders, Populism and the Postcolonial Condition - An international conference on critical theory, postcoloniality, migration and populism : Linnaeus University, Växjö, Sweden, 14-16 June 2018.
Brunow, D. (2018). Archival tactics and queer vulnerability : Curating access to audiovisual heritage in Europe. media tactics and engagement, The NECS 2018 Conference : Amsterdam, Netherlands. June 27-29, 2018.
Brunow, D. (2018). Recognizing ethnic and social minorities in audiovisual archives in Europe : archival challenges, community ethics and inclusive heritage. POEM Opening Conference : Participatory Memory Practices : Connectivities, Empowerment, and Recognition of Cultural Heritages in Mediatized Memory Ecologies. 13.-14.12.2018. Museum der Arbeit.
Brunow, D. (2018). Towards an inclusive audiovisual heritage? : The ambivalence of recognizing minorities in Swedish film archives. 5^th Lübeck Film Studies Colloquium : In Dark Waters : Seas, Spies and Social Criticism.
Brunow, D. (2017). Creating heritage and memory : digital film archives as sites of knowledge production. From Dust to Dawn : Archival Studies After the Archival Turn : Uppsala 15–17 November 2017. 13-13.
Brunow, D. (2017). Preserving queer cultural heritage : How to present lesbian home movies and video productions in audiovisual archives. Lesbian Lives Conference 2017 : Lesbian Love/s : Book of Abstracts : University of Brighton, 24–25 February 2017. 47-47.
Brunow, D. (2017). Unqueering Heritage? : The Ambivalence of LGBTQ* Visibility in Audiovisual Archives. Queer Screens Conference 2017 : 2nd and 3rd SEPTEMBER 2017, The Institute of the Humanities and The Gendered Subjects Research Group at Northumbria University, Newcastle Upon Tyne, UK. 27-27.
Brunow, D. (2017). Memories of migration in European film archives. Book of Abstracts : Panels 1-80.
Brunow, D. (2017). Who has the right to the memory of the city? : Appropriating mediated memories in times of gentrification. Creating the city : Identity, memory and participation : Malmö 9–10 February 2017 : Conference program. 29-29.
Brunow, D. (2016). Curating Access : Digital Archives, Heritage and Diversity. The NECS 2016 Conference in/between : cultures of connectivity : 10th Annual NECS Conference July 26-30, 2016, Potsdam, Germany.
Brunow, D. (2016). Metadata and the Polyvocality of Memory : Knowledge Production in Digital Film Archives. The Politics of Film Archival Practice : Stockholm 16-18 Nov, 2016. 13-13.
Brunow, D. (2016). Stuart Hall and Memory Studies. Wrestling with the Angels : Exploring Stuart Hall's Theoretical Legacy : International Conference, 25-27 February 2016, Technische Universität Dortmund.
Brunow, D. (2015). Conceptualising essay film research : canon formations between transnational film studies and "strategic auteurism". World Cinema and the Essay Film, Reading, 30 april-2 maj 2015.
Brunow, D. (2015). 'Doing Archive' : Archival Practice as an Epistemological Toolkit. The Ethos of History – Time, Memory and Representation, Sigtuna, 10-12 Sept 2015.
Brunow, D. (2015). Remediating transcultural memories of postpunk Manchester : homosocial nostalgia and contemporary city branding. Atrocity Exhibition. A two day symposium on Joy Division. University of Limerick, 25 – 26 November 2015.
Brunow, D. (2015). Das Archiv als Akteur : Videoarchive und die Mediatisierung des kulturellen Gedächtnisses. Geschichte(n), Repräsentationen, Fiktionen – Medienarchive als Gedächtnis- und Erinnerungsorte Filmarchiv Austria, Wien, 7-8 maj 2015.
Brunow, D. (2014). Towards a Diversity of Cultural Memory : The Chances and Challenges of Digital Memories and Online Film Archives. COST Digital Memories Workshop, Workshop of the COST Action “In search of transcultural memory in Europe (ISTME)”, Central European University, Budapest, 28-30 september 2014.
Brunow, D. (2014). Kollektive Videopraxis als Wissenserzeugung : Digitalisierung und Archivpolitik im Zeichen des Urheberrechtes. Gesellschaft für Medienwissenschaften (GfM) Jahrestagung 2014: Medien / Recht. Philipps-Universität, Marburg, 2-4 oktober 2014.
Brunow, D. (2013). Reworking the archive : the essay film as an intervention into cultural memory. Visible Evidence XX. International Conference on Documentary Film and Media, Stockholm, Sweden, August 18, 2013.
Brunow, D. (2013). Bollywood im Zeitalter der Globalisierung : eine transnationale Perspektive auf populäres Hindikino. Kunst als Avantgarde einer Weltkultur? Muthesius Kunsthochschule, Kiel/Kunsthalle Kiel, 6-8 juni 2013..
Brunow, D. (2013). From Postpunk Subcultures to City Branding : Visual Culture and the Politics of Memory in Post-industrial Manchester. NECS, Media Politics ‒ Political Media The NECS 2013 Conference, Prag, 20-22 juni 2013.
Brunow, D. (2012). Multiple occupancies : de-essentialising strategies in filmic memory on migration. Migration, Memory, and Place, Köpenhamns universitet, 5-7 december 2012.
Brunow, D. (2012). Theorising (trans)cultural memory : the possibilities and fallacies of a 'transcultural' approach. Towards a Common Past? Conflicting Memories in Contemporary Europe, Lunds universitet, 14-16 maj 2012.
Brunow, D. (2012). Filmkooperative Konzepte und Arbeitsweisen : Das Andere Kino in Hamburg (1967-1971). Medialer Aufbruch. Die innovativen Jahre von Fernsehen und Film in Hamburg 1962-1969, Universität Hamburg, 20-21 februari 2012..
Brunow, D. (2012). Filmisches Gedächtnis als (trans)kulturelle Selbstverortung : Anti-essentialistische Strategien in Fatih Akins "Wir haben vergessen zurückzukehren". Identitätsaushandlungen im Kontext von Migration, Literatur- und Sozialwissenschaftliche Perspektiven, Konferenz: 12.-14. Januar 2012, Forschungsstelle für Zeitgeschichte Hamburg (FZH) , der Universität Hamburg.
Brunow, D. (2012). Filmische Interventionen ins koloniale Bildarchiv : der Essayfilm als Bildforschung am Beispiel des britischen Black Audio Film Collective. Gesellschaft für Medienwissenschaft (GfM), Jahrestagung 2012 “Spekulation”, Goethe Universität Frankfurt am Main, 3-6 oktober 2012..
Brunow, D. (2012). "She’s lost control?" : 1980s Manchester and the gendered spaces of pop-cultural memory. g12 - nationell konferens för genusforskning, Göteborgs universitet, 28-30 november 2012.
Brunow, D. (2011). Archival practice as counter memory : Preserving the cultural heritage of independent video workshops. NECS (European Network for Cinema and Media Studies) – The London Conference, Sonic Futures: Soundscapes and the Languages of Screen Media, University of London, June 23-26, 2011.
Brunow, D. (2011). Cultural Memory as Counter Historiography : The Archival Practice of German Video Collectives. The XXIV IAMHIST Conference (The International Association for Media and History), 6-10 July 2011, Copenhagen.
Brunow, D. (2011). Black diasporic filmmaking and the political aesthetics of anti-essentialism. 9th International Conference of the Collegium for African American Research, "Black States of Desire: Dispossession, Circulation, Transformation", Université Paris Diderot-Paris 7, April 6-9, 2011.
Brunow, D. (2011). Film-making as intervention : The performative turn and the political avant-garde. Media Acts. The 10th international conference of the Nordic Society for Intermedial Studies (NorSIS) at the Department of Art and Media Studies at NTNU, Trondheim, 26-28 October, 2011.
Brunow, D. (2011). The cultural heritage of collective filmmaking in Germany : The archival practice of independent film and video workshops. 21st International Screen Studies Conference, University of Glasgow, Scotland, 1-3 July 2011.
Brunow, D. (2010). Amateur home movies and the archive of migration : Sandhya Suri's I for India (2005). Tourists and Nomads. Amateur Images of Migration. Second Interdisciplinary Conference on Amateur Images 22 – 24 April 2010.
Brunow, D. (2010). Film as historiography : Mediations of social unrest, urban landscapes and surveillance in 1980s Black British filmmaking. "This Town Is Gonna Blow..." European Protest Movements and Society in the 1980s”, 6 - 8 May 2010, Bremen.
Brunow, D. (2010). Mapping the Sound of the City : Artistic Counter Practice in Hamburg's Regeneration Areas. Mapping, Memory and the CitySchool of Architecture, University of Liverpool 24-26 February 2010 ABSTRACTS.
Brunow, D. (2009). Modernist Cinema as Black (Atlantic) Historiography : Aesthetic Strategies in Black British Filmmaking. Panels of the Eighth Conference of the Collegium for African American Research.
Brunow, D. (2009). We Have a Button for Every Job, But We Have No Button to Help Us Cry : G/localising Bollywood in Germany. Glocal Imaginaries : Writing / Migration / Place : Lancaster University 9-12 September 2009 : Conference Abstracts.
Brunow, D. (2009). Performativity, Self-reflexivity, and the Archive : Transnational family memory as national counter-historiography in Fatih Akin‘s Wir haben vergessen zurückzukehren (2001) and Sandhya Suri’s I for India (2005). Families and Memories, a Committee on Family Research OSLO, JUNE 15-17, 2009 : ABSTRACTS.
Brunow, D. (2009). The Ghosts of History and Cities as Palimpsest : Colonial spaces and visual archives in British avant-garde filmmaking. NECS/Network of European Cinema Studies, 24-28 June, 2009, Lund University, Lund, Sweden.
Brunow, D. (2009). Deconstructing essentialism : metareference as aesthetic strategy in Black British filmmaking. ”The Metareferential Turn in Contemporary Arts and Media: Forms, Functions and Attempts at Explanation”, Graz, Austria , 1-3 October, 2009.
Brunow, D. (2009). Deconstructing representation : Handsworth Songs as media criticism and filmic intervention. Screen Studies Conference: ”Screen Theorising Today”, Glasgow, Scotland, 3-5 July, 2009.

Bok (Refereegranskat)

Brunow, D. (2015). Remediating Transcultural Memory : Documentary Filmmaking as Archival Intervention. Berlin, Boston, Walter de Gruyter.

Kapitel i bok, del av antologi (Refereegranskat)

Brunow, D. (2018). Naming, shaming, framing : Ambivalence of queer visibility in audiovisual archives.. The Power of Vulnerability : Mobilizing Affect in Feminist, Queer and Anti-racist Media Cultures. . Manchester, Manchester University Press.
Brunow, D. (2018). Archiving AIDS activist video : A conversation with Jim Hubbard. A Visual History of AIDS : Exploring the Face of AIDS film archive. London & New York, Routledge. 183-190.
Brunow, D. (2017). Postpunk Manchester als homosozialer Nostalgietummelplatz : Retromania in Zeiten neoliberaler Stadtpolitik. testcard #25 : Kritik. Mainz, Ventil Verlag. 112-121.
Brunow, D. (2017). Rethinking Remediation and Reworking the Archive : Transcultural Reappropriations of Documentary Images of Migration. In Search of Transcultural Memory in Europe. Lund, Centre for European Studies at Lund University. 39-58.
Brunow, D. (2016). Den rörliga bildens kulturarv : Minne, arkiv och videoband. Minne, medier och materialitet. Göteborg, Makadam Förlag. 57-75.
Brunow, D. (2014). Mediated Memories of Migration and the National Visual Archive : Fatih Akin‘s Wir haben vergessen zurückzukehren. The Autobiographical Turn in Germanophone Documentary and Experimental Film. Rochester, Camden House. 173-193.
Brunow, D. (2013). Western. Filmwissenschaftliche Genreanalyse : Eine Einführung. Berlin, Walter de Gruyter. 39-61.
Brunow, D. (2013). Archiv und Gedächtnis im autobiografischen Film : Maria Langs experimentelles Home Movie Familiengruft. Liebesgedicht an meine Mutter (BRD, 1981/82). material, experiment, archiv : Experimentalfilme von Frauen. Berlin, b_books. 89-111.
Brunow, D. (2012). Film als Historiographie : "Handsworth Songs" als Dekonstruktion kolonialer Geschichtsschreibung. "All We Ever Wanted..." : Eine Kulturgeschichte europäischer Protestbewegungen der 1980er Jahre. Berlin, Karl Dietz Verlag Berlin. 107-119.
Brunow, D. (2012). Amateur Home Movies and the Archive of Migration : Sandhya Suri's I for India (UK, 2005). Tourists & Nomads : Amateur Images of Migration. Marburg, Jonas Verlag. 153-160.
Brunow, D. (2011). Deconstructing Essentialism and Revising Historiography : The Function of Metareference in Black British Filmmaking. The Metareferential Turn in Contemporary Arts and Media : Forms, Functions, Attempts at Explanation. New York, Rodopi. 341-355.
Brunow, D. (2011). Film als kulturelles Gedächtnis der Arbeitsmigration : Fatih Akıns Wir haben vergessen zurückzukehren. 50 Jahre türkische Arbeitsmigration in Deutschland. Göttingen, V&R Unipress. 183-204.
Brunow, D. (2009). Allegory, Performativity, and Intervention : The Function of Travelogues in a Contested Space. A comment on Charlotte Tornbjer. Borders as Experience. Halmstad, Halmstad University. 201-215.

Rapport (Refereegranskat)

Brunow, D. (2013). Rethinking Remediation and Reworking the Archive : Transcultural Reappropriations of Documentary Images of Migration. Lund, In Search of Transcultural Memory in Europe. 23.

Samlingsverk (redaktörskap) (Refereegranskat)

Brunow, D., Dickel, S. (2018). Queer Cinema. Mainz, Ventil Verlag. 287.

Artikel, recension (Refereegranskat)

Brunow, D. (2018). [ Review of ] Tanja Thomas, Lina Brink, Elke Grittmann, Kaya de Wolff (Hg.): Anerkennung und Sichtbarkeit. Perspektiven für eine kritische Medienkulturforschung : Bielefeld: Transcript 2017 (Critical Studies in Media and Communication, Bd. 18), 258 S., ISBN 9783837640113, EUR 29,99. MEDIENwissenschaft Rezensionen | Reviews. Marburg, Philipps-Universität Marburg. 386-387.
Brunow, D. (2016). [Review of] Joseph Garncarz : Wechselnde Vorlieben. Über die Filmpräferenzen der Europäer 1896-1939. Medien & Kommunikationswissenschaft. 64. 408-409.
Brunow, D. (2015). [ Review of ] The Nine Muses, directed by John Akomfrah (DVD, 92 minutes) : Smoking Dogs Films, United Kingdom, 2010. Palimpsest: A Journal on Women, Gender, and the Black International. 4. 218-219.
Brunow, D. (2012). Review of Der Essayfilm. Ästhetik und Aktualität : Sven Kramer and Thomas Tode (Eds). Historical Journal of Film, Radio and Television. Taylor & Francis. 32. 637-639.

Artikel i tidskrift (Övrigt vetenskapligt)

Brunow, D. (2018). Interview mit Ken Loach. Film-Konzepte. 49. 94-100.
Brunow, D., Stigsdotter, I. (2017). A film of her own : Home movies, the archive and Ingrid Bergman. An interview with Stig Björkman and Dominika Daubenbüchel. Journal of Scandinavian Cinema. 7. 183-188.
Stigsdotter, I., Brunow, D. (2017). Retrieving Harry Schein from the archive : An interview with Maud Nycander, Jannike Åhlund and Kersti Grunditz Brennan. Journal of Scandinavian Cinema. 7. 177-181.
Brunow, D. (2017). ‘A fragment of the world’ : An interview with Petra Bauer. Journal of Scandinavian Cinema. 7. 189-193.
Brunow, D. (2014). Wie ist die Medienwissenschaft der Zukunft und der Utopie?. Zeitschrit für Medienwissenschaft. 10. 13-15.
Brunow, D. (2013). Dagmar Brunow läser Laura Mulvey : Mulvey reloaded - den manliga blicken och feministiskt filmskapande. Tidskrift för Genusvetenskap. 64-67.

Konferensbidrag (Övrigt vetenskapligt)

Brunow, D. (2018). Digitale Dokumentarfilmarchive als Wissensressource für die Zivilgesellschaft. „Dokumentarische Praktiken in medialer Transformation. Historische Entwicklungen und aktuelle Perspektiven“ : 6.-7. Juli 2018, Universität Hamburg.
Brunow, D. (2017). Countering Amnesia and Forgetting : Reworking Cultural Memory around the Victims of Right-Wing Violence. Doing Memory and Right-Wing Violence in Mediated Public Spheres : Workshop : 15.–16.10.2017, Fürstensaal, Schloss Hohentübingen, Eberhard Karls University Tübingen.
Brunow, D. (2016). Remediating Archival Content. Presented at Symposium 'Rhetoric of the Past'. Koninklijk Nederlands Historisch Genootschap (KNHG), Den Haag, 22 sept. 2016.
Brunow, D. (2015). Radio Archiving Practice : Remediating Sonic Memories. Radio Archives in European Community Media, Halle (Saale), juni 2015.
Brunow, D. (2013). Bollywood im Zeitalter der Globalisierung : eine transnationale Perspektive auf populäres Hindikino. Kunst als Avantgarde einer Weltkultur?, Muthesius Kunsthochschule, Kiel / Kunsthalle Kiel, Kiel, Germany, 6-8 June, 2013.
Brunow, D. (2010). "Die Stadt hören" : Soundscapes als Archive von Gentrifizierungsprozessen. Music City Hamburg?! Musikalische Annäherungen an die 'kreative Stadt'. Internationale Konferenz des Landesmusikrat Hamburg und der Leuphana Universität, Lüneburg, Hamburg 22-24 october, 2010.

Kapitel i bok, del av antologi (Övrigt vetenskapligt)

Brunow, D. (2018). Beyond Boundaries II : Im Gespräch mit Angelina Maccarone. Queer Cinema. Mainz, Ventil Verlag. 189-197.
Brunow, D. (2018). Elin Wägners Åsa-Hanna på film : från manusarbete till biografvisning. Elin Wägner : Åsa-Hanna 100 år. Lammhult, Elin Wägner-sällskapet. 15-27.
Brunow, D. (2018). Beyond Boundaries I : Im Gespräch mit Monika Treut. Queer Cinema. Mainz, Ventil Verlag. 125-139.
Brunow, D. (2015). Fröhliche Körper im Kino : Eine Flanerie. Die Körper des Kinos : Für eine fröhliche Filmwissenschaft. Frankfurt/Main, Stroemfeld Verlag. 13-24.
Brunow, D. (2015). Denken als Aktivismus : Stuart Hall zwischen Popkultur und Politik. Stuart Hall : Aktivismus, Pop und Politik. Mainz, Ventil Verlag. 11-17.
Brunow, D. (2011). Soundscapes als akustisches Gedächtnis der Stadt : Künstlerische Strategien gegen Gentrifizierung. testcard #20 : Access denied. Mainz, Ventil. 37-41.
Brunow, D. (2009). Representation and performativity : Methodological considerations on film and historiography. The example of Baader-Meinhof. Historier : Skönlitteratur från arton- och nittonhundratalen som historisk källa. Göteborg, Göteborgs universitet. 44-56.
Brunow, D. (2007). [ Review of ] Robin Griffiths (Ed.) British Queer Cinema. testcard #16 : Extremismus. Mainz, Ventil. 282-282.
Brunow, D. (2003). [ Reviews of ] Marie-Hélène Gutberlet and Hans-Peter Metzler's Afrikanisches Kino & Olivier Barlet's Afrikanische Kinowelten. Die Dekolonisierung des Blicks.. testcard #12 : Linke Mythen. Mainz, Ventil. 286-287.
Brunow, D. (2003). [ Review of ] Sabine Hess & Ramona Lenz Geschlecht und Globalisierung. Ein kulturwissenschaftlicher Streifzug durch transnationale Räume. testcard #12 : Linke Mythen. Mainz, Ventil. 276-276.
Achinger, C., Brunow, D., Jentz, J., Mühlhäuser, R. (2001). Engendering Airwaves : Zur Konstruktion von Geschlecht im Radio. Radio-Kultur und Hör-Kunst : Zwischen Avantgarde und Popularkultur 1923-2001. Würzburg, Verlag Königshausen & Neumann. 24-38.

Samlingsverk (redaktörskap) (Övrigt vetenskapligt)

Brunow, D. (2015). Stuart Hall : Aktivismus, Pop und Politik. Mainz, Ventil Verlag. 96.

Bok (Övrigt (populärvetenskap, debatt))

Martinson, M., Brunow, D. (2007). Frauen und Apfelbäume : Roman. Zürich, Atrium-Verlag.

Kapitel i bok, del av antologi (Övrigt (populärvetenskap, debatt))

Brunow, D. (2010). Review of Don Lett's Culture Clash. Dread Meets Punk Rockers. testcard #19: Blühende Nischen. Tyskland, Ventil Verlag. 262-263.
Brunow, D. (2009). [ Review of ] Borderline : Ein Film von Kenneth Macpherson. testcard #18 : Regress. Mainz, Ventil Verlag. 294-295.
Brunow, D. (2008). Im Bett mit Marcuse : Sexualitätsdiskurse in der radikalen Linken. Im Gespräch mit Massimo Perinelli. testcard #17 : Sex. Tyskland, Ventil Verlag. 20-23.
Brunow, D. (2002). "Es war ein mentaler Widerstand" : Erinnerungen von Werner Krebs. Getanzte Freiheit : Swingkultur zwischen NS-Diktatur und Gegenwart. Hamburg, Dölling und Galitz. 119-122.
Brunow, D. (2002). Watch British : Anglo-asiatischer Kanak Chic erobert den Mainstream. Die BBC-Comedy-Serie Goodness Gracious Me. testcard #11 : Humor. Mainz, Ventil Verlag. 148-155.
Brunow, D. (2002). "Es war nicht mein Krieg" : Erinnerungen von Hans Peter Viau. Getanzte Freiheit : Swingkultur zwischen NS-Diktatur und Gegenwart. Hamburg, Dölling und Galitz. 104-111.

Övrigt (Övrigt (populärvetenskap, debatt))

Brunow, D. (2019). Queer Cinema. Kinofenster.de.
Brunow, D. (2018). Elin Wägner och filmen. Stockholm, Swedish Film Institute.
Brunow, D. (2016). En filmskatt bärgas. Svenska filminstitutet.

Artikel, recension (Övrigt (populärvetenskap, debatt))

Brunow, D. (1999). Frauen und Film. Heft 61. Krieg und Kino. Stroemfeld.. testcard. Beiträge zur Popgeschichte #9: Pop und Krieg. 272-275.

Undervisning

Forskning

Uppdrag

Mina forskargrupper och projekt

Publikationer

Artikel i tid­skrift (Referee­granskat)

Konferens­bidrag (Referee­granskat)

Bok (Referee­granskat)

Kapitel i bok, del av antologi (Referee­granskat)

Rapport (Referee­granskat)

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