Dagmar Brunow
Docent
Institutionen för film och litteratur
Fakulteten för konst och humaniora
Undervisning
Jag har undervisat i filmvetenskap sedan 1999 vid olika universitet och högskolor (Växjö, Lund, Halmstad) samt handlett uppsatser. Jag har varit kursansvarig för Samtida filmproduktion och –distribution, Filmens historia, World Cinema, Europeisk film, Dokumentärfilm, Film, arkiv och digital kultur, Representations of HIV/AIDS in Moving Images; Filmteori; Film, genus och etnicitet. Jag har även regelbundet undervisat i genusvetenskap vid Södertörns Högskola.
Distanskursen Att forska med film som redskap har jag utvecklat tillsammans med Anna Sofia Rossholm. Den ges i samverkan med Akademin Valand i Göteborg from vt18. I den utforskas videoessän som metod för akademisk publicering, som teoretisk instrument och som verktyg för konstnärlig forskning. Nästa gång kommer den att ges ht21.
Forskning
Jag har för närvarande två aktuella forskningsprojekt som båda genomförs inom LNUs spetsforskningscentrum IMS - intermediala och multimodala studier.
Det förlorade kulturarvet: Att öka samverkan mellan digitala filmarkiv (VR 2021-2024)
Det förefaller paradoxalt: digitaliseringen av kulturarvssektorn är i full gång, men ändå riskerar stora delar av det svenska filmarvet att falla i glömska. Syftet med detta projekt är att undersöka hur vi kan ta del av ett filmarv som har hamnat utanför de nationella filmarkivens fokus, både ifråga om insamling, bevarande och tillgängliggörande. Mitt projekt kommer att granska de möjligheter och utmaningar som samverkan mellan Filmarkivet.se och mindre svenska filmarkiv innebär.
Projektet genomförs i samverkan med Filmarkivet.se (Svenska Filminstitutet, Stockholm), filmform: The Art Film and Video Archive (Stockholm), Kulturparken Småland, SAQMI - The Swedish Archive for Queer Moving Images (Göteborg) och The Face of Aids Film Archive (Stockholm).
Elin Wägner och filmen (2018-2025)
Elin Wägner var författare, rösträttskämpe, feminist, pacifist och ekokritiker. Att hon också var en kvinnlig pionjär inom svensk film har sällan uppmärksammats. Elin Wägner var involverad i filmskapandet på många olika sätt från 1910- till 1940-talet: hon har spelat, skrivit manus och hennes romaner har blivit film.
Projektet har två mål: att lyfta fram Elin Wägners betydelse för svensk filmhistoria och att studera adaptioner som konstnärlig process från manusutkast till film.
Projektet genomförs i samverkan med Elin Wägner Sällskapet och Nordic Women in Film. Den finansieras av IMS, LNUs spetsforskningscentrum för intermediala och multimodala studier, med stöd från Holger och Thyra Lauritzens stiftelse för främjande av filmhistorisk verksamhet.
http://www.nordicwomeninfilm.com/elin-wagner-och-filmen/
Att minnas AIDS-epidemin
Dessutom ingår jag i LNUs forskarnätverk kring Face of Aids-arkivet i Stockholm. Till arkivets hemsida har jag kurerat en virtuell utställning om global Aids-aktivism utifrån Staffan Hildebrands filmer från Face of Aids-arkivet.
https://faceofaids.ki.se/activists-around-world
Avslutade forskningsprojekt:
Att tillgängliggöra filmarvet: att skapa och omförhandla kollektiva minnen i digitaliseringens tid (2019-2020)
Hur hanterar arkiven utmaningen att aktualisera filmarvet för dagens publik utan att bortse från dess status som historisk källa? Projektet diskuterar hur sökbegrepp, metadata, databasens design och nya katalogtexter skapar nya tolkningsramar för vårt audiovisuella kulturarv.
Projektet har finansierats av LNUs spetsforskningscentrum IMS - intermediala och multimodala studier och har genomförts i samverkan med bildwechsel (Hamburg), filmarkivet.se (Svenska Filminstitutet, Stockholm), SAQMI - The Swedish Archive for Queer Moving Images (Göteborg) och The Lesbian Home Movie Project (Maine).
"Den rörliga bildens kulturarv. Mångfald och minne i digitala filmarkiv" (Vetenskapsrådet 2016-2018).
I detta projekt har jag undersökt hur Svenska Filminstitutet (SFI) och British Film Institute (BFI) bidrar till att skapa ett kulturarv som tar vara på samhällets mångfald. Vilken roll spelar filmarkiv för vårt kulturella minne? Hur når arkiven en ny publik när filmer tillgängliggörs via digitala plattformar? Vilken roll spelar etiska och rättsliga frågor?
Uppdrag
Medlem av Linnaeus University Centre for Intermedial and Multimodal Studies (IMS) och dess ledningsgrupp.
International fellow vid Memory-Studies-Platform vid Goethe Universität i Frankfurt/Main.
Medlem av redaktionsrådet för Journal of Scandinavian Cinema (intellect).
Medlem av:
EFA (European Film Academy)
NECS (European Network for Cinema and Media Studies)
MSA (Memory Studies Association)
GfM (Gesellschaft für Medienwissenschaft)
IAMHIST (International Association for Media and History)
ACHS (Association of Critical Heritage Studies)
Kinemathek Hamburg e.V.
Ledare för arbetsgruppen Media and Cultural Memory inom NECS (European Network for Cinema and Media Studies)
Ledare för arbetsgruppen "MSA Nordic" inom Memory Studies Association.
Ledamot av Rådet för filmarvsfrågor vid Svenska Filminstitutet på uppdrag av Kulturdepartementet.
Styrelseledamot i Elin Wägner-sällskapet.
Mina forskargrupper och projekt
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Linnaeus University Centre for Intermedial and Multimodal Studies (IMS) IMS är en tvärvetenskaplig miljö som utforskar relationer och interaktioner mellan medier. Forskningen spänner över främst…
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Centrum för tillämpat kulturarv Tillämpat kulturarv handlar om att utforska kulturarvens inneboende potential att förändra samhället. Centrum för tillämpat kulturarv vid Linnéuniversitetet syftar till…
Publikationer
Artikel i tidskrift (Refereegranskat)
- Brunow, D. (2020). Arkivering som konstnärlig handling : videogruppen bildwechsel i Hamburg. Walden. Tidskrift för filmkritik. 91-96.
- Brunow, D. (2020). På genomresa i tillvaron : Fluchtweg nach Marseille som minnesarbete. Magasinet Walden: Tidskrift för filmkritik.
- Brunow, D. (2020). Come together? : Curating communal viewing experiences for hybrid and online film festivals. NECSUS : European Journal of Media Studies.
- Brunow, D. (2019). Att sätta arkivet i rörelse : Barbara Hammer. Walden. Tidskrift för filmkritik. 21-28.
- Brunow, D., Gustafsson, T. (2019). The Face of AIDS Film Archive and cultural memories of the future : an interview with Staffan Hildebrand. Journal of Scandinavian Cinema. 9. 131-135.
- Brunow, D. (2019). Manchester’s post-punk heritage : mobilising and contesting transcultural memory in the context of urban regeneration. Culture Unbound. Journal of Current Cultural Research. 11. 9-29.
- Brunow, D. (2018). Mobile cinema as an archive in motion : A Wall is a Screen and urban memories. NECSUS : European Journal of Media Studies.
- Brunow, D., Stigsdotter, I. (2017). Scandinavian cinema culture and archival practices : Collecting, curating and accessing moving image histories. Journal of Scandinavian Cinema. 7. 75-78.
- Brunow, D. (2017). Curating Access to Audiovisual Heritage : Cultural Memory and Diversity in European Film Archives. Image [&] Narrative. 18. 97-110.
- Brunow, D. (2017). "And the Winner Is..." : The Hamburg EUFA Jury Meetings. Alphaville : Journal of Film and Screen Media. 214-218.
- Brunow, D. (2012). Before YouTube and Indymedia : Cultural memory and the archive of video collectives in Germany in the 1970s and 1980s. Studies in European Cinema. 8. 171-181.
- Brunow, D. (2010). The language of the complex image : Roy Anderssons's political aesthetics. Journal of Scandinavian Cinema. 1. 83-86.
Konferensbidrag (Refereegranskat)
- Brunow, D. (2021). The ambivalence of LGBTI+ visibility in digital archives : between archival recognition and digital disengagement. .
- Brunow, D. (2020). Audiovisual Memory and Placemaking in the Music City : Salford Lads in the Digital Era. Book of Abstracts, Groove the City 2020 : Constructing and Deconstructing Urban Spaces Through Music, 2nd International Conference of the Urban Music Studies Scholars’ Network, February 13th - 15th, 2020, Leuphana University of Lüneburg. 11-12.
- Brunow, D. (2020). Building transnational communities in feminist and queer film archives : digital archival practice between recognition and (dis)engagement. Futures of Feminist and Queer Solidarities. Connectivity, Materiality, and Mobility in a Digitalized World : International Online Conference, September 30 – October 2, 2020. University of Gothenburg, Sweden.
- Brunow, D. (2020). Negotiating transnational memory cultures through guided city tours : locating musical heritage in Manchester. .
- Brunow, D. (2019). From the safe space into cyberspace? : The ambivalence of lesbian visibility in film archives. The Lesbian Lives Conference 2019 : The Politics of (In)Visibility. Centre for Transforming Sexuality and Gender & The School of Media, University of Brighton, 15th - 16th March 2019. 6-6.
- Brunow, D. (2019). LGBT+ heritage, digital memories and film archives. Presented at OUTing the Past 2019 Festival Conference. LGBT+ Solidarity: Past and Present : 29 – 31 March 2019 at Ulster University, Belfast.
- Brunow, D. (2019). Archival power and audiovisual memory : recognizing social inequality in film archives. Power & the media. XXVII IAMHIST Conference : 16-18 July 2019, Northumbria University, UK. 23-23.
- Brunow, D. (2019). Unqueering lesbian heritage? : Curating digital content in audiovisual archives. ALMS Conference Berlin 2019 : Queering memory. Archive – Arts – Audiences. 27 – 29 June 2019, Haus der Kulturen der Welt. 37-37.
- Brunow, D. (2019). Unqueering memory, erasing history? : The challenges of curating access to digitized film archival collections. Rethinking Knowledge Regimes : Solidarities and Contestations. Swedish Secretariat for Gender Research, Gothenburg, 7-9 October 2019. 139-140.
- Brunow, D. (2019). Archival narratives : Curating history and memory in digitized collections. Structures and Voices: Storytelling in Post-Digital Times : The NECS 2019 Conference, Gdańsk 13-15. 06. 2019.
- Brunow, D. (2018). Recognizing ethnic and social minorities in audiovisual archives in Europe : archival challenges, community ethics and inclusive heritage. POEM Opening Conference : Participatory Memory Practices : Connectivities, Empowerment, and Recognition of Cultural Heritages in Mediatized Memory Ecologies. 13.-14.12.2018. Museum der Arbeit.
- Brunow, D. (2018). Towards an inclusive audiovisual heritage? : The ambivalence of recognizing minorities in Swedish film archives.. 5th Lübeck Film Studies Colloquium : In Dark Waters : Seas, Spies and Social Criticism.
- Brunow, D. (2018). LGBT-Activism in Audiovisual Archives : Curating Access and Reclaiming Visibility. Outing the Past 2018 : 16th - 18th March, Liverpool, John Moores University.
- Brunow, D. (2018). Archival tactics and queer vulnerability : Curating access to audiovisual heritage in Europe. media tactics and engagement, The NECS 2018 Conference : Amsterdam, Netherlands. June 27-29, 2018.
- Brunow, D. (2018). Decolonizing audiovisual heritage in Europe : Migrant and diasporic lives in national film archives. Global Challenges 2018 : Borders, Populism and the Postcolonial Condition - An international conference on critical theory, postcoloniality, migration and populism : Linnaeus University, Växjö, Sweden, 14-16 June 2018.
- Brunow, D. (2018). Between Remembering and Forgetting : The Archive and Cultural Memory. Archiving the Unarchivable – Das Unarchivierbare archivieren : 22.–24.11.2018.
- Brunow, D. (2018). Towards an inclusive audiovisual heritage? : The ambivalence of recognizing minorities in Swedish film archives. 5th Lübeck Film Studies Colloquium : In Dark Waters : Seas, Spies and Social Criticism.
- Brunow, D. (2017). Unqueering Heritage? : The Ambivalence of LGBTQ* Visibility in Audiovisual Archives. Queer Screens Conference 2017 : 2nd and 3rd SEPTEMBER 2017, The Institute of the Humanities and The Gendered Subjects Research Group at Northumbria University, Newcastle Upon Tyne, UK. 27-27.
- Brunow, D. (2017). Creating heritage and memory : digital film archives as sites of knowledge production. From Dust to Dawn : Archival Studies After the Archival Turn : Uppsala 15–17 November 2017. 13-13.
- Brunow, D. (2017). Preserving queer cultural heritage : How to present lesbian home movies and video productions in audiovisual archives. Lesbian Lives Conference 2017 : Lesbian Love/s : Book of Abstracts : University of Brighton, 24–25 February 2017. 47-47.
- Brunow, D. (2017). Who has the right to the memory of the city? : Appropriating mediated memories in times of gentrification. Creating the city : Identity, memory and participation : Malmö 9–10 February 2017 : Conference program. 29-29.
- Brunow, D. (2017). Memories of migration in European film archives. Book of Abstracts : Panels 1-80.
- Brunow, D. (2016). Curating Access : Digital Archives, Heritage and Diversity. The NECS 2016 Conference in/between : cultures of connectivity : 10th Annual NECS Conference July 26-30, 2016, Potsdam, Germany.
- Brunow, D. (2016). Stuart Hall and Memory Studies. Wrestling with the Angels : Exploring Stuart Hall's Theoretical Legacy : International Conference, 25-27 February 2016, Technische Universität Dortmund.
- Brunow, D. (2016). Metadata and the Polyvocality of Memory : Knowledge Production in Digital Film Archives. The Politics of Film Archival Practice : Stockholm 16-18 Nov, 2016. 13-13.
- Brunow, D. (2015). Das Archiv als Akteur : Videoarchive und die Mediatisierung des kulturellen Gedächtnisses. Geschichte(n), Repräsentationen, Fiktionen – Medienarchive als Gedächtnis- und Erinnerungsorte Filmarchiv Austria, Wien, 7-8 maj 2015.
- Brunow, D. (2015). Conceptualising essay film research : canon formations between transnational film studies and "strategic auteurism". World Cinema and the Essay Film, Reading, 30 april-2 maj 2015.
- Brunow, D. (2015). 'Doing Archive' : Archival Practice as an Epistemological Toolkit. The Ethos of History – Time, Memory and Representation, Sigtuna, 10-12 Sept 2015.
- Brunow, D. (2015). Remediating transcultural memories of postpunk Manchester : homosocial nostalgia and contemporary city branding. Atrocity Exhibition. A two day symposium on Joy Division. University of Limerick, 25 – 26 November 2015.
- Brunow, D. (2014). Kollektive Videopraxis als Wissenserzeugung : Digitalisierung und Archivpolitik im Zeichen des Urheberrechtes. Gesellschaft für Medienwissenschaften (GfM) Jahrestagung 2014: Medien / Recht. Philipps-Universität, Marburg, 2-4 oktober 2014.
- Brunow, D. (2014). Towards a Diversity of Cultural Memory : The Chances and Challenges of Digital Memories and Online Film Archives. COST Digital Memories Workshop, Workshop of the COST Action “In search of transcultural memory in Europe (ISTME)”, Central European University, Budapest, 28-30 september 2014.
- Brunow, D. (2013). From Postpunk Subcultures to City Branding : Visual Culture and the Politics of Memory in Post-industrial Manchester. NECS, Media Politics ‒ Political Media The NECS 2013 Conference, Prag, 20-22 juni 2013.
- Brunow, D. (2013). Reworking the archive : the essay film as an intervention into cultural memory. Visible Evidence XX. International Conference on Documentary Film and Media, Stockholm, Sweden, August 18, 2013.
- Brunow, D. (2013). Bollywood im Zeitalter der Globalisierung : eine transnationale Perspektive auf populäres Hindikino. Kunst als Avantgarde einer Weltkultur? Muthesius Kunsthochschule, Kiel/Kunsthalle Kiel, 6-8 juni 2013..
- Brunow, D. (2012). Filmische Interventionen ins koloniale Bildarchiv : der Essayfilm als Bildforschung am Beispiel des britischen Black Audio Film Collective. Gesellschaft für Medienwissenschaft (GfM), Jahrestagung 2012 “Spekulation”, Goethe Universität Frankfurt am Main, 3-6 oktober 2012..
- Brunow, D. (2012). Filmkooperative Konzepte und Arbeitsweisen : Das Andere Kino in Hamburg (1967-1971). Medialer Aufbruch. Die innovativen Jahre von Fernsehen und Film in Hamburg 1962-1969, Universität Hamburg, 20-21 februari 2012..
- Brunow, D. (2012). Multiple occupancies : de-essentialising strategies in filmic memory on migration. Migration, Memory, and Place, Köpenhamns universitet, 5-7 december 2012.
- Brunow, D. (2012). Filmisches Gedächtnis als (trans)kulturelle Selbstverortung : Anti-essentialistische Strategien in Fatih Akins "Wir haben vergessen zurückzukehren". Identitätsaushandlungen im Kontext von Migration, Literatur- und Sozialwissenschaftliche Perspektiven, Konferenz: 12.-14. Januar 2012, Forschungsstelle für Zeitgeschichte Hamburg (FZH) , der Universität Hamburg.
- Brunow, D. (2012). "She’s lost control?" : 1980s Manchester and the gendered spaces of pop-cultural memory. g12 - nationell konferens för genusforskning, Göteborgs universitet, 28-30 november 2012.
- Brunow, D. (2012). Theorising (trans)cultural memory : the possibilities and fallacies of a 'transcultural' approach. Towards a Common Past? Conflicting Memories in Contemporary Europe, Lunds universitet, 14-16 maj 2012.
- Brunow, D. (2011). Black diasporic filmmaking and the political aesthetics of anti-essentialism. 9th International Conference of the Collegium for African American Research, "Black States of Desire: Dispossession, Circulation, Transformation", Université Paris Diderot-Paris 7, April 6-9, 2011.
- Brunow, D. (2011). Film-making as intervention : The performative turn and the political avant-garde. Media Acts. The 10th international conference of the Nordic Society for Intermedial Studies (NorSIS) at the Department of Art and Media Studies at NTNU, Trondheim, 26-28 October, 2011.
- Brunow, D. (2011). Cultural Memory as Counter Historiography : The Archival Practice of German Video Collectives. The XXIV IAMHIST Conference (The International Association for Media and History), 6-10 July 2011, Copenhagen.
- Brunow, D. (2011). Archival practice as counter memory : Preserving the cultural heritage of independent video workshops. NECS (European Network for Cinema and Media Studies) – The London Conference, Sonic Futures: Soundscapes and the Languages of Screen Media, University of London, June 23-26, 2011.
- Brunow, D. (2011). The cultural heritage of collective filmmaking in Germany : The archival practice of independent film and video workshops. 21st International Screen Studies Conference, University of Glasgow, Scotland, 1-3 July 2011.
- Brunow, D. (2010). Amateur home movies and the archive of migration : Sandhya Suri's I for India (2005). Tourists and Nomads. Amateur Images of Migration. Second Interdisciplinary Conference on Amateur Images 22 – 24 April 2010.
- Brunow, D. (2010). Mapping the Sound of the City : Artistic Counter Practice in Hamburg's Regeneration Areas. Mapping, Memory and the CitySchool of Architecture, University of Liverpool 24-26 February 2010 ABSTRACTS.
- Brunow, D. (2010). Film as historiography : Mediations of social unrest, urban landscapes and surveillance in 1980s Black British filmmaking. "This Town Is Gonna Blow..." European Protest Movements and Society in the 1980s”, 6 - 8 May 2010, Bremen.
- Brunow, D. (2009). Deconstructing essentialism : metareference as aesthetic strategy in Black British filmmaking. ”The Metareferential Turn in Contemporary Arts and Media: Forms, Functions and Attempts at Explanation”, Graz, Austria , 1-3 October, 2009.
- Brunow, D. (2009). Deconstructing representation : Handsworth Songs as media criticism and filmic intervention. Screen Studies Conference: ”Screen Theorising Today”, Glasgow, Scotland, 3-5 July, 2009.
- Brunow, D. (2009). Modernist Cinema as Black (Atlantic) Historiography : Aesthetic Strategies in Black British Filmmaking. Panels of the Eighth Conference of the Collegium for African American Research.
- Brunow, D. (2009). Performativity, Self-reflexivity, and the Archive : Transnational family memory as national counter-historiography in Fatih Akin‘s Wir haben vergessen zurückzukehren (2001) and Sandhya Suri’s I for India (2005). Families and Memories, a Committee on Family Research OSLO, JUNE 15-17, 2009 : ABSTRACTS.
- Brunow, D. (2009). The Ghosts of History and Cities as Palimpsest : Colonial spaces and visual archives in British avant-garde filmmaking. NECS/Network of European Cinema Studies, 24-28 June, 2009, Lund University, Lund, Sweden.
- Brunow, D. (2009). We Have a Button for Every Job, But We Have No Button to Help Us Cry : G/localising Bollywood in Germany. Glocal Imaginaries : Writing / Migration / Place : Lancaster University 9-12 September 2009 : Conference Abstracts.
Bok (Refereegranskat)
- Brunow, D. (2015). Remediating Transcultural Memory : Documentary Filmmaking as Archival Intervention. Berlin, Boston, Walter de Gruyter.
Kapitel i bok, del av antologi (Refereegranskat)
- Brunow, D. (2020). Queer German Cinema. The German Cinema Book. London, Bloomsbury Academic. 371-382.
- Brunow, D. (2019). Queering the archive : Amateur films and LGBT+ memory. Making the invisible visible : Reclaiming women’s agency in Swedish film history and beyond. Nordic Academic Press. 97-117.
- Brunow, D. (2018). Archiving AIDS activist video : A conversation with Jim Hubbard. A Visual History of AIDS : Exploring the Face of AIDS film archive. London & New York, Routledge. 183-190.
- Brunow, D. (2018). Naming, shaming, framing : Ambivalence of queer visibility in audiovisual archives.. The Power of Vulnerability : Mobilizing Affect in Feminist, Queer and Anti-racist Media Cultures. . Manchester, Manchester University Press.
- Brunow, D. (2017). Rethinking Remediation and Reworking the Archive : Transcultural Reappropriations of Documentary Images of Migration. In Search of Transcultural Memory in Europe. Lund, Centre for European Studies at Lund University. 39-58.
- Brunow, D. (2017). Postpunk Manchester als homosozialer Nostalgietummelplatz : Retromania in Zeiten neoliberaler Stadtpolitik. testcard #25 : Kritik. Mainz, Ventil Verlag. 112-121.
- Brunow, D. (2016). Den rörliga bildens kulturarv : Minne, arkiv och videoband. Minne, medier och materialitet. Göteborg, Makadam Förlag. 57-75.
- Brunow, D. (2014). Mediated Memories of Migration and the National Visual Archive : Fatih Akin‘s Wir haben vergessen zurückzukehren. The Autobiographical Turn in Germanophone Documentary and Experimental Film. Rochester, Camden House. 173-193.
- Brunow, D. (2013). Western. Filmwissenschaftliche Genreanalyse : Eine Einführung. Berlin, Walter de Gruyter. 39-61.
- Brunow, D. (2013). Archiv und Gedächtnis im autobiografischen Film : Maria Langs experimentelles Home Movie Familiengruft. Liebesgedicht an meine Mutter (BRD, 1981/82). material, experiment, archiv : Experimentalfilme von Frauen. Berlin, b_books. 89-111.
- Brunow, D. (2012). Amateur Home Movies and the Archive of Migration : Sandhya Suri's I for India (UK, 2005). Tourists & Nomads : Amateur Images of Migration. Marburg, Jonas Verlag. 153-160.
- Brunow, D. (2012). Film als Historiographie : "Handsworth Songs" als Dekonstruktion kolonialer Geschichtsschreibung. "All We Ever Wanted..." : Eine Kulturgeschichte europäischer Protestbewegungen der 1980er Jahre. Berlin, Karl Dietz Verlag Berlin. 107-119.
- Brunow, D. (2011). Deconstructing Essentialism and Revising Historiography : The Function of Metareference in Black British Filmmaking. The Metareferential Turn in Contemporary Arts and Media : Forms, Functions, Attempts at Explanation. New York, Rodopi. 341-355.
- Brunow, D. (2011). Film als kulturelles Gedächtnis der Arbeitsmigration : Fatih Akıns Wir haben vergessen zurückzukehren. 50 Jahre türkische Arbeitsmigration in Deutschland. Göttingen, V&R Unipress. 183-204.
- Brunow, D. (2009). Allegory, Performativity, and Intervention : The Function of Travelogues in a Contested Space. A comment on Charlotte Tornbjer. Borders as Experience. Halmstad, Halmstad University. 201-215.
Rapport (Refereegranskat)
- Brunow, D. (2013). Rethinking Remediation and Reworking the Archive : Transcultural Reappropriations of Documentary Images of Migration. Lund, In Search of Transcultural Memory in Europe. 23.
Samlingsverk (redaktörskap) (Refereegranskat)
- Brunow, D., Dickel, S. (2018). Queer Cinema. Mainz, Ventil Verlag. 287.
Artikel, recension (Refereegranskat)
- Brunow, D. (2020). [Review of] Annamaria Motrescu-Mayes, Heather Norris Nicholson: British Women Amateur Filmmakers: National Memories and Global Identities. MEDIENwissenschaft: Rezensionen | Reviews. Marburg, University of Marburg. 37. 28-29.
- Brunow, D. (2020). [Review of] James Leggott: In Fading Lights. The Films of the Amber Collective : Oxford: Berghahn Books 2020. 268 S., ISBN 9781789206500, GBP 110,-. MEDIENwissenschaft: Rezensionen | Reviews. 38. 260-261.
- Brunow, D. (2018). [ Review of ] Tanja Thomas, Lina Brink, Elke Grittmann, Kaya de Wolff (Hg.): Anerkennung und Sichtbarkeit. Perspektiven für eine kritische Medienkulturforschung : Bielefeld: Transcript 2017 (Critical Studies in Media and Communication, Bd. 18), 258 S., ISBN 9783837640113, EUR 29,99. MEDIENwissenschaft Rezensionen | Reviews. Marburg, Philipps-Universität Marburg. 386-387.
- Brunow, D. (2016). [Review of] Joseph Garncarz : Wechselnde Vorlieben. Über die Filmpräferenzen der Europäer 1896-1939. Medien & Kommunikationswissenschaft. 64. 408-409.
- Brunow, D. (2015). [ Review of ] The Nine Muses, directed by John Akomfrah (DVD, 92 minutes) : Smoking Dogs Films, United Kingdom, 2010. Palimpsest: A Journal on Women, Gender, and the Black International. 4. 218-219.
- Brunow, D. (2012). Review of Der Essayfilm. Ästhetik und Aktualität : Sven Kramer and Thomas Tode (Eds). Historical Journal of Film, Radio and Television. Taylor & Francis. 32. 637-639.
Artikel i tidskrift (Övrigt vetenskapligt)
- Brunow, D. (2020). Var ligger biodukens Småland? : Hur Elin Wägners Åsa-Hanna blev film. HumaNetten. 305-322.
- Brunow, D. (2020). Curating (Queer) Film Archives and Creating Online Communities in Times of the Pandemic : The Swedish Archive for Queer Moving Images (SAQMI). MAI: Feminism & Visual Culture.
- Brunow, D. (2020). Att curatera ett queert levande arkiv : Om The Swedish Archive for Queer Moving Images. Paletten. 12-15.
- Brunow, D. (2018). Interview mit Ken Loach. Film-Konzepte. 49. 94-100.
- Stigsdotter, I., Brunow, D. (2017). Retrieving Harry Schein from the archive : An interview with Maud Nycander, Jannike Åhlund and Kersti Grunditz Brennan. Journal of Scandinavian Cinema. 7. 177-181.
- Brunow, D., Stigsdotter, I. (2017). A film of her own : Home movies, the archive and Ingrid Bergman. An interview with Stig Björkman and Dominika Daubenbüchel. Journal of Scandinavian Cinema. 7. 183-188.
- Brunow, D. (2017). ‘A fragment of the world’ : An interview with Petra Bauer. Journal of Scandinavian Cinema. 7. 189-193.
- Brunow, D. (2014). Wie ist die Medienwissenschaft der Zukunft und der Utopie?. Zeitschrit für Medienwissenschaft. 10. 13-15.
- Brunow, D. (2013). Dagmar Brunow läser Laura Mulvey : Mulvey reloaded - den manliga blicken och feministiskt filmskapande. Tidskrift för Genusvetenskap. 64-67.
Konferensbidrag (Övrigt vetenskapligt)
- Brunow, D. (2018). Digitale Dokumentarfilmarchive als Wissensressource für die Zivilgesellschaft. „Dokumentarische Praktiken in medialer Transformation. Historische Entwicklungen und aktuelle Perspektiven“ : 6.-7. Juli 2018, Universität Hamburg.
- Brunow, D. (2017). Countering Amnesia and Forgetting : Reworking Cultural Memory around the Victims of Right-Wing Violence. Doing Memory and Right-Wing Violence in Mediated Public Spheres : Workshop : 15.–16.10.2017, Fürstensaal, Schloss Hohentübingen, Eberhard Karls University Tübingen.
- Brunow, D. (2016). Remediating Archival Content. Presented at Symposium 'Rhetoric of the Past'. Koninklijk Nederlands Historisch Genootschap (KNHG), Den Haag, 22 sept. 2016.
- Brunow, D. (2015). Radio Archiving Practice : Remediating Sonic Memories. Radio Archives in European Community Media, Halle (Saale), juni 2015.
- Brunow, D. (2013). Bollywood im Zeitalter der Globalisierung : eine transnationale Perspektive auf populäres Hindikino. Kunst als Avantgarde einer Weltkultur?, Muthesius Kunsthochschule, Kiel / Kunsthalle Kiel, Kiel, Germany, 6-8 June, 2013.
- Brunow, D. (2010). "Die Stadt hören" : Soundscapes als Archive von Gentrifizierungsprozessen. Music City Hamburg?! Musikalische Annäherungen an die 'kreative Stadt'. Internationale Konferenz des Landesmusikrat Hamburg und der Leuphana Universität, Lüneburg, Hamburg 22-24 october, 2010.
Kapitel i bok, del av antologi (Övrigt vetenskapligt)
- Brunow, D. (2020). Queer experimentfilm?. Filmform 1950-2020. Stockholm, Stiftelsen Filmform. 28-30.
- Brunow, D. (2018). Beyond Boundaries II : Im Gespräch mit Angelina Maccarone. Queer Cinema. Mainz, Ventil Verlag. 189-197.
- Brunow, D. (2018). Elin Wägners Åsa-Hanna på film : från manusarbete till biografvisning. Elin Wägner : Åsa-Hanna 100 år. Lammhult, Elin Wägner-sällskapet. 15-27.
- Brunow, D. (2018). Beyond Boundaries I : Im Gespräch mit Monika Treut. Queer Cinema. Mainz, Ventil Verlag. 125-139.
- Brunow, D. (2015). Fröhliche Körper im Kino : Eine Flanerie. Die Körper des Kinos : Für eine fröhliche Filmwissenschaft. Frankfurt/Main, Stroemfeld Verlag. 13-24.
- Brunow, D. (2015). Denken als Aktivismus : Stuart Hall zwischen Popkultur und Politik. Stuart Hall : Aktivismus, Pop und Politik. Mainz, Ventil Verlag. 11-17.
- Brunow, D. (2011). Soundscapes als akustisches Gedächtnis der Stadt : Künstlerische Strategien gegen Gentrifizierung. testcard #20 : Access denied. Mainz, Ventil. 37-41.
- Brunow, D. (2009). Representation and performativity : Methodological considerations on film and historiography. The example of Baader-Meinhof. Historier : Skönlitteratur från arton- och nittonhundratalen som historisk källa. Göteborg, Göteborgs universitet. 44-56.
- Brunow, D. (2007). [ Review of ] Robin Griffiths (Ed.) British Queer Cinema. testcard #16 : Extremismus. Mainz, Ventil. 282-282.
- Brunow, D. (2003). [ Review of ] Sabine Hess & Ramona Lenz Geschlecht und Globalisierung. Ein kulturwissenschaftlicher Streifzug durch transnationale Räume. testcard #12 : Linke Mythen. Mainz, Ventil. 276-276.
- Brunow, D. (2003). [ Reviews of ] Marie-Hélène Gutberlet and Hans-Peter Metzler's Afrikanisches Kino & Olivier Barlet's Afrikanische Kinowelten. Die Dekolonisierung des Blicks.. testcard #12 : Linke Mythen. Mainz, Ventil. 286-287.
- Achinger, C., Brunow, D., Jentz, J., Mühlhäuser, R. (2001). Engendering Airwaves : Zur Konstruktion von Geschlecht im Radio. Radio-Kultur und Hör-Kunst : Zwischen Avantgarde und Popularkultur 1923-2001. Würzburg, Verlag Königshausen & Neumann. 24-38.
Samlingsverk (redaktörskap) (Övrigt vetenskapligt)
- Brunow, D. (2015). Stuart Hall : Aktivismus, Pop und Politik. Mainz, Ventil Verlag. 96.
Artikel i tidskrift (Övrigt (populärvetenskap, debatt))
- Brunow, D. (2020). Filmen som inte blev av : Norrtullsligan i ny tappning. Bergsluft: medlemsblad för Elin Wägner-sällskapet. 1-2.
Bok (Övrigt (populärvetenskap, debatt))
- Martinson, M., Brunow, D. (2007). Frauen und Apfelbäume : Roman. Zürich, Atrium-Verlag.
Kapitel i bok, del av antologi (Övrigt (populärvetenskap, debatt))
- Brunow, D. (2010). Review of Don Lett's Culture Clash. Dread Meets Punk Rockers. testcard #19: Blühende Nischen. Tyskland, Ventil Verlag. 262-263.
- Brunow, D. (2009). [ Review of ] Borderline : Ein Film von Kenneth Macpherson. testcard #18 : Regress. Mainz, Ventil Verlag. 294-295.
- Brunow, D. (2008). Im Bett mit Marcuse : Sexualitätsdiskurse in der radikalen Linken. Im Gespräch mit Massimo Perinelli. testcard #17 : Sex. Tyskland, Ventil Verlag. 20-23.
- Brunow, D. (2002). Watch British : Anglo-asiatischer Kanak Chic erobert den Mainstream. Die BBC-Comedy-Serie Goodness Gracious Me. testcard #11 : Humor. Mainz, Ventil Verlag. 148-155.
- Brunow, D. (2002). "Es war ein mentaler Widerstand" : Erinnerungen von Werner Krebs. Getanzte Freiheit : Swingkultur zwischen NS-Diktatur und Gegenwart. Hamburg, Dölling und Galitz. 119-122.
- Brunow, D. (2002). "Es war nicht mein Krieg" : Erinnerungen von Hans Peter Viau. Getanzte Freiheit : Swingkultur zwischen NS-Diktatur und Gegenwart. Hamburg, Dölling und Galitz. 104-111.
Övrigt (Övrigt (populärvetenskap, debatt))
- Brunow, D. (2020). »PARIS kein Tag ohne dich« – ein Essayfilm : Ulrike Schaz im Gespräch mit der Filmwissenschaftlerin Dagmar Brunow. Ulrike Schaz.
- Brunow, D. (2019). Queer Cinema. Kinofenster.de.
- Brunow, D. (2018). Elin Wägner och filmen. Stockholm, Swedish Film Institute.
- Brunow, D. (2016). En filmskatt bärgas. Svenska filminstitutet.
Artikel, recension (Övrigt (populärvetenskap, debatt))
- Brunow, D. (1999). Frauen und Film. Heft 61. Krieg und Kino. Stroemfeld.. testcard. Beiträge zur Popgeschichte #9: Pop und Krieg. 272-275.