Per Sivefors
DocentJag har varit anställd som lektor vid Linnéuniversitetet sedan 2009 (docent sedan 2014). Som forskare och lärare fokuserar jag särskilt på tidigmodern litteratur och kultur från 1500 till 1800, bland annat Shakespeare och hans samtida, men också på det inflytande som tidigmodern litteratur haft på senare tider. Jag är ordförande för Nordic Shakespeare Society (NorSS), en akademisk organisation som främjar studiet av Shakespeare i Norden.
Undervisning
Under mina år på LNU har jag undervisat många kurser från grund- till masternivå, däribland en kurs om Shakespeare och hans tid samt litteraturhistoriska översiktskurser. Dessutom har jag handlett ett stort antal uppsatser på kandidat-, magister- och masternivå och är engagerad som lärare på det nyetablerade masterprogrammet MELL.
Forskning
Jag är för närvarande sysselsatt med två forskningsprojekt. Det ena handlar om gestaltningar av manlighet i tidigmodern satir, särskilt elisabetansk versssatir. I detta projekt argumenterar jag för att de manligheter - i plural - som ges röst i satiren har ett konfliktfyllt och antagonistiskt förhållande till tidigmoderna patriarkala normer. Detta diskuteras i min bok Representing Masculinity in Elizabethan Verse Satire, 1590 - 1603: 'A Kingdom for a Man', som utkommer på Routledge under 2020. Jag är också medredaktör (med Cecilia Rosengren och Rikard Wingård) för antologin Satire and The Multiplicity of Forms, 1600 - 1830: Textual and Graphic Transformations, som är under kontrakt med Manchester University Press och utkommer 2021.
Det andra projektet, som behandlar ett annat språkområde och en senare epok, handlar om den tidiga receptionen av Shakespeare i Norden under 17- och 1800-talen. Jag planerar en kontrastiv studie om de tidiga översättningarna och uppförandena av Shakespearepjäser i Sverige och Danmark under perioden 1760 - 1820, samt en antologi om Shakespeare i Norden under 1800-talet. Under 2020 utkommer en förstudie, "Trade, Politics and Culture: The Migration of Hamlet to Sweden (1787)", i antologin Migrating Shakespeare, red. Janet Clare och Dominique Goy-Blanquet (Bloomsbury).
Publikationer
Artikel i tidskrift (Refereegranskat)
- Sivefors, P. (2019). Observation, Control and Sir Thomas More. LIR.journal. 10. 28-38.
- Sivefors, P. (2019). Satire, Age, and Manliness in Everard Guilpin’s Skialetheia. English literary renaissance. 49. 201-223.
- Sivefors, P. (2019). Masculinity and husbandry in Joseph Hall's Virgidemiarum. Renaissance Studies. 33. 204-221.
- Sivefors, P. (2018). ‘Maymd Soldiours or poore Schollers’ : Warfare and Self-Referentiality in the Works of Thomas Nashe. Cahiers Élisabéthains. 95. 62-73.
- Sivefors, P. (2018). A supposed quotation from Augustine in Thomas Nashe's Christs teares over Jerusalem. Notes and Queries. 65. 49-49.
- Sivefors, P. (2018). "What passions call you these" : Privacy and Metapoetic Foreignness in Marlowe’s Edward II. Renæssanceforum : Tidsskrift for Renæssanceforskning. 13. 43-72.
- Sivefors, P. (2016). Committing Authorship : Thomas Nashe and the Engaged Reader. Etudes episteme. 1-13.
- Sivefors, P. (2016). Prayer and Authorship in Thomas Nashe’s Christs Teares over Jerusalem. English. 65. 267-279.
- Sivefors, P. (2013). A New Source for Nashe's Lenten Stuff. Notes and Queries. 60. 444-445.
- Sivefors, P. (2012). Conflating Babel and Babylon in Tamburlaine 2. Studies in English Literature 1500-1900. 2. 293-324.
- Sivefors, P. (2011). "Painting forth the things that hidden are" : Thomas Nashe's "The Choise of Valentines" and the Printing of Privacy. LIR.journal. 23-37.
- Sivefors, P. (2006). Ascham and Udall : The Unknown Language Reformer in Toxophilus. Notes and Queries. 53. 34-35.
- Sivefors, P. (2005). Underplayed Rivalry : Patronage and the Marlovian Subtext of Summers Last Will and Testament. Nordic Journal of English Studies. 4. 65-87.
Kapitel i bok, del av antologi (Refereegranskat)
- Sivefors, P. (2018). Satire, Immoderation and the Bishops' Ban of 1599. Freedom and Censorship in Early Modern English Literature. London, Routledge. 37-47.
- Sivefors, P. (2018). Dreams, Autobiography and the Upward Journey in Girolamo Cardano's De vita propria liber. Hagiographic Adaptations. Pisa, Fabrizio Serra Editore. 83-97.
- Sivefors, P. (2017). Satir, ekfras och enargeia : Visualisering hos John Marston och Thomas Lodge. Medier, historie og mening : Studier i kulturelle formidlingsformer. Oslo, Portal forlag. 55-68.
- Sivefors, P. (2014). 'What do I fear? Myself?' : Nightmares, Conscience and the 'Gothic' Self in Richard III. Gothic Renaissance : A Reassessment. Manchester, Manchester University Press. 55-74.
- Sivefors, P. (2013). Prophecies, Dreams, and the Plays of John Lyly. Staging the Superstitions of Early Modern Europe. Farnham, Ashgate. 191-215.
Artikel, forskningöversikt (Refereegranskat)
- Price, E., Sivefors, P., Sharrett, E., Smith, H.F., Whitehead, C. (2017). Renaissance Drama : Excluding Shakespeare. Year's Work in English Studies. Oxford University Press. 96. 466-503.
- Price, E., Sharrett, E., Smith, H.F., Sivefors, P., Whitehead, C. (2016). VIII - Renaissance Drama : Excluding Shakespeare. Year's Work in English Studies. 95. 1-41.
Konferensbidrag (Övrigt vetenskapligt)
- Sivefors, P. (2019). "A kingdom for a man" : The troubled male of Marston's verse satires. Presented at Conference 2019, The Marston Effect: John Marston and Early Modern Culture : Lincoln College, Oxford. 29 to 31 March 2019.
- Sivefors, P. (2019). Class, Commerce and the Bard : The Migration of Shakespeare into Sweden, 1770 – 1820. ESRA Conference, European Shakespeare Research Association : Shakespeare and European Geographies: Centralities and Elsewheres. Rome 9-12 July 2019.
- Sivefors, P. (2018). A Kingdom for a Man : Representing Masculinity in Late Elizabethan Verse Satire. The 64th Annual Meeting of the Renaissance Society of America : New Orleans, 22 March - 24 March 2018.
- Sivefors, P. (2018). “Heere may I sit, yet walke to Westminster” : Urban Peregrination in Elizabethan Verse Satire. Walking and Wandering in Early Modern Culture and Literature : A joint London Renaissance Seminar / Paris Early Modern Seminar Conference, 21-22 June 2018.
- Sivefors, P. (2018). Reforming and Censoring Elizabethan Verse Satire, 1590 – 1600. Presented at Cultural Reformations, The Norwegian Institute in Rome.
- Sivefors, P. (2018). ‘Oh what a pageant's this’ : Theatrics and Performance in Elizabethan Verse Satire. Genre Bending : Appopriation, Modulation and Subversion, Det norske institutt i Roma.
- Sivefors, P. (2017). Anachronism as Aesthetic Device in Elizabethan Satire. Kingston Shakespeare Seminar : Shakespearean Anachronism Conference : Saturday, February 18, 2017 Rose Theatre, Kingston-upon-Thames.
- Sivefors, P. (2017). “Some sacred rage warmes all my vaines” : The Aesthetics of Viscerality in Sixteenth-Century Satire. Estetisk erfarenhet i tidigmoderna kulturer, 26-27 okt 2017 : [ Aesthetic Experience in Early Modern Cultures, Oct 26-27 2017 ].
- Sivefors, P. (2017). “A whole booke of his Retractations” : Thomas Nashe’s Christs Teares over Jerusalem and the Augustinian Narrative of Conversion. The Mimesis of Change : Conversion and Peripety in Life Stories.
- Sivefors, P. (2016). Lisping Amorists and snaphaunce satirists : Satire, Immoderation and the Bishops' Ban of 1599. Presented at New Perspectives on Censorship in Early Modern England: Politics, Literature and Religion : 1-3 December 2016.
- Sivefors, P. (2016). Satyrs, Prototypes and Emulation : Creating Past and Present in English Satire of the 1590s. Presented at Renaissance Prototypes : Conference at the Norwegian Academy of Science and Letters.
- Sivefors, P. (2015). Commitment and the Vernacular : Thomas Nashe and Elizabethan literary culture. .
- Sivefors, P. (2015). Dreams, Subjectivity and the Author : The Cases of Shakespeare and Strindberg. Shakespeare and Scandinavia: International Academic Conference, 8-11 October 2015.
- Sivefors, P. (2015). 'Maymd Soldiours or poore Schollers' : Warfare and Authorship in the Works of Thomas Nashe. .
- Sivefors, P. (2015). Rökt sill, hamnstäder och brittiska identiteter : Thomas Nashes Lenten Stuff (1599). .
- Sivefors, P. (2015). ‘The true father of his family’ : Bastardizing Authorship in Jonson’s Volpone. .
- Sivefors, P. (2015). Den (av)klädda kroppen : Satir, maskulinitet och visualisering. .
- Sivefors, P. (2015). The Medieval Past in the English Sixteenth Century : Language, Periodization and Anachronicity. .
- Sivefors, P. (2014). Authorship as Perambulation in Thomas Nashe’s The Unfortunate Traveller. .
- Sivefors, P. (2014). Prophecies, dreams and epistemological change in early modern drama. .
- Sivefors, P. (2014). Riots, Surveillance and the Crowd in The Book of Sir Thomas More. .
- Sivefors, P. (2014). "Without any artifice" : Dreaming and the conventions of early autobiography in Girolamo Cardano’s De vita propria liber. .
- Sivefors, P. (2012). "Or we shall have a monster of a man" : Satire, satyrs and early modern masculinities in John Marston’s The Scourge of Villanie.
- Sivefors, P. (2012). ‘To dream that you kiss a person signifies loss’ : Interpreting Erotic Dreams in Early Modern England.
- Sivefors, P. (2012). Prayer and the Performance of Authorship in Thomas Nashe's Christs Teares over Jerusalem.
- Sivefors, P. (2011). Satisfaction and expectation in the early modern theatre audience.
- Sivefors, P. (2011). Prostituting my pen like a Curtizan : Thomas Nashe and the Embodiment of Manuscript Culture.
- Sivefors, P. (2011). Sex and the Self : Simon Forman, subjectivity and erotic dreams in early modern England.
- Sivefors, P. (2010). "Dominiering Eloquence" : The University Wits and the Elizabethan Legitimation of English..
- Sivefors, P. (2009). ‘I dreamt tonight that I did feast with Caesar’ : Literary dreams, interpretation and freedom in early modern England.. .
- Sivefors, P. (2009). “What do I fear? Myself?” : Nightmares, Conscience and the ‘Gothic’ self in Richard III..
- Sivefors, P. (2009). Publishing Thomas More’s Utopia in Latin and English : A Humanist Success Story and How to Translate It.
- Sivefors, P. (2008). ’The Spenserian Dream : Resurrecting Rome and London.
- Sivefors, P. (2008). ’Infinite Riches in a Little School’ : Gosson, Masculinity, and Marlowe.
- Sivefors, P. (2007). ’Saint George for England, and the Red Herring for Yarmouth’ : British Identities and Politics in Thomas Nashe’s Lenten Stuffe.
- Sivefors, P. (2006). Dreaming the Early Modern Cityscape : The Case of the English Hypnerotomachia.
- Sivefors, P. (2005). England’s Intellect and Moneybag : The Metropolis and Early Modern Domestic Tragedy.
- Sivefors, P. (2004). ’This Citty-sodoming trade’ : Authorship and Urban Decay in Nashe’s Christ’s Tears over Jerusalem.
- Sivefors, P. (2004). ’All our thoughts are nothing but texts to condemn us’ : The Internalisation of Carnival in Thomas Nashe’s The Terrors of the Night..
- Sivefors, P. (2004). ’As many several languages as I have conquered kingdoms’ : Tamburlaine II and the Babel Topos.
- Sivefors, P. (2003). Fearful Echoes and Heavenly Words : Language, Subjectivity and the Inward Voice in Doctor Faustus.
Kapitel i bok, del av antologi (Övrigt vetenskapligt)
- Sivefors, P. (2015). Satire, Satyrs, and Early Modern Masculinities in John Marston’s The Scourge of Villanie. Allusions and Reflections : Greek and Roman Mythology in Renaissance Europe. Cambridge, Cambridge Scholars Publishing. 171-185.
- Sivefors, P. (2014). Utopian English : Transferring and Adapting the Text of Utopia in Early Modern England. Approaches to the Text : From Pre-Gospel to Post-Baroque. Pisa, Fabrizio Serra Editore. 155-169.
- Sivefors, P. (2013). "Saint George for England, and the Red Herring for Yarmouth" : British Identities and Policies in Thomas Nashe's Lenten Stuff. Urban Encounters : Experience and Representation in the Early Modern City. Pisa, Fabrizio Serra Editore. 221-240.
- Sivefors, P. (2013). Sex and the Self : Simon Forman, Subjectivity and Erotic Dreams in Early Modern England. Pangs of Love and Longing : Configurations of Desire in Premodern Literature. Cambridge, Cambridge Scholars Publishing. 281-292.
- Sivefors, P. (2013). Introduction : Urban Encounters. Urban Encounters : Experience and Representation in the Early Modern City. Pisa, Fabrizio Serra Editore. 13-27.
- Sivefors, P. (2009). 'Scant Allowable to English Ears' : The Reformation of Diction and Tradition in William Webbe's A Discourse of English Poetrie. The Formation of the Genera in Early Modern Culture. Pisa, Fabrizio Serra. 69-78.
- Sivefors, P. (2008). 'Urg'd to witness our false playing' : Marlowe and the Metatheatrical Discourse of Ovid's Elegies. Rhetoric, Theatre and the Arts of Design : Essays Presented to Roy Eriksen. Oslo, Novus. 220-236.
- Sivefors, P. (2007). ’This Citty-Sodoming Trade’ : The Ovidian Authorial Persona in Thomas Nashe’s Christ’s Tears over Jerusalem. Urban Preoccupations : Mental and Material Landscapes. Pisa, Fabrizio Serra.
- Sivefors, P. (2005). 'All this tractate is but a dream’ : The Ethics of Dream Narration in Thomas Nashe’s The Terrors of the Night. Textual Ethos Studies, or Locating Ethics. Amsterdam, Rodopi. 161-174.
Doktorsavhandling, monografi (Övrigt vetenskapligt)
- Sivefors, P. (2004). The Delegitimised Vernacular : Language Politics, Poetics and the Plays of Christopher Marlowe. Doctoral Thesis. Göteborg/Karlskrona, Department of English/School of Technocultural Studies, Humanities and Spatial Planning.
Samlingsverk (redaktörskap) (Övrigt vetenskapligt)
- Sivefors, P. (2013). Urban Encounters : Experience and Representation in the Early Modern City. Pisa, Fabrizio Serra Editore. 288.
- Sivefors, P. (2007). Urban Preoccupations : Mental and Material Landscapes. Pisa, Fabrizio Serra. 256.
- Sivefors, P., Fåhraeus, A. (2005). Early Modern Drama, excluding Shakespeare. Nordic Association of English Studies.
Artikel, recension (Övrigt vetenskapligt)
- Sivefors, P. (2017). “Didone regina di Cartagine” di Christopher Marlowe : Metamorfosi virgiliane nel Cinquecento. Antonio Ziosi, ed. and trans : Lingue e Letterature Carocci 202 ; Centro Studi : La permanenza del Classico 29. Rome : Carocci editore, 2015. 358 pp. €29.. Renaissance quarterly. Chicago, University of Chicago Press. 70. 412-414.